forhandsthatsuffer:

The Blood of a Poet (1931), dir. Jean Cocteau

forhandsthatsuffer:

The Blood of a Poet (1931), dir. Jean Cocteau

(via mystery-date)

shihlun:

Jean-Luc Godard
Poster Design by Werner Jaker

shihlun:

Jean-Luc Godard

Poster Design by Werner Jaker

(Source: the-night-picture-collector)

kinoscript:

Rainer Werner Fassbinder & Irm Hermann in ANGST ESSEN SEELE AUF (Tous les autres s’appellent Ali, 1974)

kinoscript:

Rainer Werner Fassbinder & Irm Hermann in ANGST ESSEN SEELE AUF (Tous les autres s’appellent Ali, 1974)

(via keyframedaily)

keyframedaily:

Sara Maria Vizcarrondo on Werner Herzog's “spectacular and confounding” Even Dwarfs Started Small (1970).

keyframedaily:

Sara Maria Vizcarrondo on Werner Herzog's “spectacular and confounding” Even Dwarfs Started Small (1970).

blueblackdream:

Adrienne Shelly in Trust (Hal Hartley, dir.)

blueblackdream:

Adrienne Shelly in Trust (Hal Hartley, dir.)

(via keyframedaily)

thefinalimage:

The Blood of a Poet | 1930 | dir. Jean Cocteau

keyframedaily:

Jean-Pierre Léaud in Truffaut's La nuit américaine (1973).
Via A Certain Cinema.

keyframedaily:

Jean-Pierre Léaud in Truffaut's La nuit américaine (1973).

Via A Certain Cinema.

bartleby-company:

Pier Paolo Pasolini, Roma 1973 photo Massimo Listri

bartleby-company:

Pier Paolo Pasolini, Roma 1973 photo Massimo Listri

(via keyframedaily)

keyframedaily:

Tay Garnett’s The Postman Always Rings Twice (1946).

keyframedaily:

Tay Garnett’s The Postman Always Rings Twice (1946).

britishfilminstitute:

“One makes films in order to become a better human being.” 
- Roberto Rossellini, born on this day in 1906

britishfilminstitute:

“One makes films in order to become a better human being.” 

- Roberto Rossellini, born on this day in 1906